-
Wagner, Johanna M.
(2021).
“Land of Promise: God and Excess in Las Vegas” Workshop
.
-
Wagner, Johanna M.
(2021).
“Of Hope and Ruin: Orientation and the Sublime in Jean Rhys’ Gothic City”
.
-
Wagner, Johanna M.
(2021).
Book Review: Jody Cardinal, Deirdre E. Egan-Ryan, and Julia Lisella (eds.), Modernist Women Writers and American Social Engagement Lexington Books, 2019, 315 pages.
IdeAs: Idées d’Amérique.
17.
doi:
10.4000/ideas.10541.
-
Wagner, Johanna M.
(2021).
Acknowledgements.
I Björk, Eva Margareta Lambertsson; Eschenbach, Jutta Cornelia & Wagner, Johanna M. (Red.),
Women and Fairness: Navigating an Unfair World.
Waxmann Verlag.
ISSN 978-3-8309-4365-5.
s. 7–7.
doi:
https:/doi.org/10.31244/9783830993650.
-
Wagner, Johanna M.
(2021).
Nevertheless...
I Björk, Eva Margareta Lambertsson; Eschenbach, Jutta Cornelia & Wagner, Johanna M. (Red.),
Women and Fairness: Navigating an Unfair World.
Waxmann Verlag.
ISSN 978-3-8309-4365-5.
s. 9–16.
doi:
https:/doi.org/10.31244/9783830993650.
-
Wagner, Johanna M.
(2020).
“Gothic Mystery, and a Bit of Sex: ‘The Fall of the House of Usher,’ and ‘The Turn of the Screw,’”
.
-
Wagner, Johanna M.
(2019).
“The Technology of Mommy: the Sublime and Uncanny in The Babadook, Goodnight Mommy, and Hereditary,”
University of Kent, Gothic Feminisms: , Canterbury, May 2019.
.
-
Wagner, Johanna M.
(2019).
“Exhaling Modernisms: Elizabeth Smart, Djuna Barnes, Jean Rhys, Nella Larsen, and the Sublimity of Despair,”
.
-
Wagner, Johanna M.
(2019).
“Ugly Feelings and the Uncanny in The Babadook, Goodnight Mommy, and Hereditary”
.
-
Wagner, Johanna M.
(2019).
The American Gothic and “The Yellow Wall-paper”
.
-
Wagner, Johanna M.
(2018).
“The War on Women: How the GOP Framed Issues
Without and Against Women, 2010-2012”
.
-
-
Wagner, Johanna M.
(2017).
"Foreign Places, Intimate Spaces: Flânerie and Dandyism’s Modern Progeny"
.
-
Wagner, Johanna M.
(2017).
The Humanities, American Anti-intellectualism, and Judith Butler: A Return to Her Critics.
-
Wagner, Johanna M.
(2017).
The Boundaries of Lorelei Lee: Adaptation and Transmediation of Gentlemen Prefer Blondes.
-
Wagner, Johanna M.
(2016).
“Breaking Biopower: Olive Moore’s Spleen and Djuna Barnes’ Nightwood”
.
-
Wagner, Johanna M.
(2016).
“The Salem Witch Trials, the 1950s, and The Crucible”
.
-
Wagner, Johanna M.
(2016).
“The Gothic: An Introduction”
.
-
Wagner, Johanna M.
(2016).
Architectonics of the Uncanny Bildungsroman: Rebecca and The Haunting.
-
Wagner, Johanna M.
(2016).
I was Ward Cleaver: An Apologia.
-
Wagner, Johanna M.
(2015).
“Today’s Academic Job Market.” Roundtable.
-
Wagner, Johanna M.
(2015).
“Round Robin and the Singer Affect: Nightwood and The Heart is a Lonely Hunter”
.
-
Wagner, Johanna M.
(2014).
“Everyday Sexism”
.
-
Wagner, Johanna M.
(2014).
“Uncanny Melancholy and the Maternal in Olive Moore’s Spleen”
.
-
Wagner, Johanna M.
(2014).
“Eliot and His Problems: TS Eliot and the Modern
Mind
.
-
Wagner, Johanna M.
(2014).
Oh Say Can You See.
-
Wagner, Johanna M.
(2014).
Razzle Dazzle Cocktail Prattle.
-
Wagner, Johanna M.
(2014).
Fish out of Water.
-
Wagner, Johanna M.
(2013).
“Judith Butler: Influences, Thought and Theory”
.
-
Wagner, Johanna M.
(2013).
“Ta(l)king Women out of the Picture 2010-2012: Intersections of GOP Anti-intellectual Rhetoric and the War on Women.
-
Wagner, Johanna M.
(2013).
“Massive Gravitational Pull: Robin’s Disorienting Time in Djuna Barnes’ Nightwood” .
-
Wagner, Johanna M.
(2013).
Baby Zombies.
-
Wagner, Johanna M.
(2013).
Alstublieft Already! Please!
-
Wagner, Johanna M.
(2013).
It’s Too Darn Cold!
-
Wagner, Johanna M.
(2012).
“Judith Butler: An Introduction”
.
-
Wagner, Johanna M.
(2011).
“As I Lay Dying in Context: the American South,”
.
-
Wagner, Johanna M.
(2011).
“SlutWalks: Walking the Walk and Talking the Talk!(?)”
.
-
Wagner, Johanna M.
(2010).
Book Review. Not Quite White: White Trash and the Boundaries of Whiteness by Mark Wray.
Mississippi Quarterly.
ISSN 0026-637X.
63(3-4),
s. 735–738.
doi:
10.1353/mss.2010.0021.
-
Wagner, Johanna M.
(2009).
“The Trouble in Being Difficult: Judith Butler’s Naughty/Knotty Theoretical Style,” International Literary Criticism & Theory Conference Series
.
-
Wagner, Johanna M.
(2008).
“The Work and Times of Djuna Barnes”
.
-
Wagner, Johanna M.
(2008).
“’Well, Sydney – what have I done?’: Sydney, Mrs. Kerr, and Devastating Homoerotics in Elizabeth Bowen’s The Hotel”
.
-
Wagner, Johanna M.
(2007).
Moving the Story, with Conviction.
-
Wagner, Johanna M.
(2006).
“Violent Men, Unfortunate Women: Homosexual Panic in Dracula,”
.
-
Wagner, Johanna M.
(2006).
“Meaning in, Desire of the Gendered Body: Boethius’ Lady Philosophy as Consolation Figure”
.
-
Wagner, Johanna M.
(2006).
“Theorizing the Third Wave: Seven Women, Seven Perspectives.” Roundtable Discussion
.
-
Wagner, Johanna M.
(2006).
“The Architectonics of Clare Kendry: Disrupting ‘Security’ through Gothic Place in Nella Larsen’s Passing”
.
-
Wagner, Johanna M.
(2005).
“William Faulkner Biography and As I Lay Dying"
.
-
Wagner, Johanna M.
(2005).
“The Failure of Pearl: Consolation and the Gendered Body”
.
-
Wagner, Johanna M.
(2005).
“Visible Workings of Desire: Homosexual Panic and Violence in Bram Stoker’s Dracula”
.
-
Wagner, Johanna M.
(2005).
“A Failed Consolation: Pearl and the Gendered Body.” ,
Kalamazoo, May 2005.
.
-
Wagner, Johanna M.
(2004).
“William Faulkner’s As I Lay Dying”
Rosemarie Dombrowski, ASU
.
-
Wagner, Johanna M.
(2002).
“Edenic Drag: Adam and Eve’s Ambiguous Gender, Original Versus Imitation in Paradise Lost.” , Las Vegas, May 2002.
.
